Sounds for Silence: An Interview with Dos Noisemakers

Alex Sergay and Rich Hancuff of Dos Noisemakers will provide live music for the silent films “Her Fractured Voice,” “His Neglected Wife,” and “Flesh and Spirit.”

If you were worried about spending your Friday evening in total silence, never fear! Dos Noisemakers are here! The duo will provide musical accompaniment for Friday night’s screening of Her Fractured Voice, His Neglected Wife, and Flesh and Spirit.

Richard Hancuff, uno of the Dos Noisemakers, said their accompaniment adds authenticity and fun to the silent film experience, “One thing live music does is recreate the experience of the silent films as they were originally shown.”

With no scores to base their music upon, Hancuff and his partner Alex Sergay have created the score from scratch by altering music of the time period.

“We have been looking at older traditional music from the 1920’s through 1940’s as well as some tunes that were written by a member of Alex’s band in Michigan. One song we’ve been working on is Fats Waller’s ‘Jitterbug Waltz,’” Hancuff said, “We’re working on a new experience with these films.”

Sergay researched musicians of the time to inform the duo’s musical choices. “I found the musicians would play pretty much anything they could get their hands on,” he said.

Although the films are silent, these two musicians have tried to create a score that will let the films speak for themselves and enhance the audience’s experience. “You want the music to help set the mood, but you don’t want people to notice the music too much or have it distract from the film itself,” Hancuff said.

Sergay agreed, adding, “Live music always brings excitement to an event.”

Sergay in particular brings some accompaniment experience to the event. He once provided the music for Circus Opus, a mime, acrobatics and fire twirling show. “I started as a musician playing sound effects and music for Gerry the Fool, a mime popular in Detroit back in the 80’s.”

Hancuff and Sergay have worked together in the past, but are collaborating on a musical project for the first time. They will debut as Dos Noisemakers at Friday’s screening and play their own unique music to support our three silent films. “We hope we help the audience experience a silent movie much in the same way audiences did when these movies were made,” Sergay said, “It’s been fun working on these songs, it should be a good show.”

With the combination of three films and the debut of Dos Noisemakers, if you love film, music, or anything 1920s, you certainly don’t want to miss Flesh and Spirit tonight at 6 in the Burke Auditorium at King’s College!

The “Silent” Revival of a Roaring Era

By Sarah Scinto

1920s culture has become a part of youth culture, and even the film world has recognized this resurgence and begun to tailor itself to fit this new interest in the market

If you were to log on to Tumblr, the popular social blogging site, and scroll through some of the top posts, you might notice a trend. The bloggers of Tumblr are primarily millenials, people born after 1980 who came of age in the new millennium. However, despite the age of the site’s users, Tumblr is overflowing with photos and content reminiscent of eras past, particularly the style and art of the 1920s.

This generation has harnessed new media to recall and aggregate evidence of old media through photos, scanned documents, and even film clips that are sometimes converted into moving image files known as gifs. Further digging through the Tumblr dashboard might lead you to a blog dedicated specifically to silent film intertitles, spreading their quirk words of wisdom through a medium their creators could scarcely imagine.

It seems that this generation has latched to the “vintage” culture of the 20s; it is not uncommon to see people dressing as flappers for Halloween or toting their copies of The Great Gatsby as they travel (perhaps with one of the Barnes and Noble bags that prominently display the novel’s cover). In fact, I have heard the term “Gatsby Party” used in conversation among multiple circles of people, and I’m certain this will only continue with the release of a new film adaptation of the novel. One of my best friends once dreamed of holding a Gatsby style speakeasy party for her 21st birthday and carries her books in a Kate Spade bag sporting one design of the novel’s many covers.

When Michael Hazanavicius’s The Artist hit screens in 2011, no one expected the quirky, silent, black and white film to become the runaway success it did. It began in limited release, taking up space in independent movie theatres, until the buzz surrounding it grew and prompted a wide, mainstream release of the film. In a time when we are told that people’s attention spans have greatly diminished, the fact that a 100 minute film with no spoken words whatsoever could hold and captivate an audience’s attention is nothing short of remarkable.

I typically pay attention to independent releases, but when The Artist hit theatres, I was far from the only person who knew about it. People my age were blogging, posting, and tweeting about a film that you’d assume they’d ignore in favor of the latest superhero blockbuster. One of my friends, who had recently dragged me to see Transformers 3, asked if I wanted to see The Artist with her, much to my pleasant surprise.

The Artist, a 100-minute silent film, captured attention and major film awards in 2011

It seems my friends knew something about film after all. By the end of its theatrical run, The Artist achieved much more than success at the box office. This film from a bygone era left the 2012 Academy Awards with 5 statuettes, including the award for Best Motion Picture.

Our film, the 1922 Flesh and Spirit, comes from the silent film tradition that The Artist honored, emulated, and made wildly popular once again. While the silent style of The Artist may seem like a quirky novelty to today’s audiences who are so accustomed to full sound and color, actual films from the 20s era were silent out of necessity. Flesh and Spirit did push the boundaries of filmmaking in its time: innovations in special effects allowed the makers of Flesh and Spirit to create ghostly touches. Drawers open and close on their own and characters appear translucent long before the advent of the sleek, seamless, computerized special effects moviegoers have become accustomed to.

With the resurgence of 20s culture and interest in silent filmmaking, it seems as though we could not have chosen a better time to screen Flesh and Spirit. It is a part of the silent film culture that informed the making of The Artist, and if one small, silent film can win the Academy Award, who’s to say our little screening won’t be wildly popular among the Wilkes-Barre community and beyond?